A Counter-Cultural Dance

The unique relationship of breakdancing with mainstream culture deserves a special mention here. Like grafitti, breakdancing emerged at odds with mainstream culture, appropriating certain aspects of the mainstream to its own ends. Much like the graffiti-artist's appropriation of New York subways as a canvas or the turnablist's appropriation of the record player as a music producer, the b-boys' unsanctioned use of public space (streets) for dancing can also be seen as a form of appropriation. The emphasis on sharp breaks in the music as opposed to a smooth, regular tempo can also be understood as expressions of resistance in a culture that values order and regularity.

Break Easy

Break Easy of Breaking In Style (79) Representing Brooklyn B-boy Style
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